A golden high-heeled shoe reflected on a dark surface

Maison de Chaussures · Paris · Est. 1962

La Main & l'Œil

The Automne–Hiver 2026 collection — nineteen silhouettes in bone, ink and burnished gold, made entirely by hand on the rue de Sévigné.

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— The Season

Worn quietly,
made loudly.

Collection notes →
A woman's legs in high heels before the Eiffel Tower
A woman crossing a Paris street among pigeons

An argument between the hand and the eye — settled in leather.

This season the maison works in its native palette: bone, ink, taupe, and one note of antique gold. Nineteen pieces, from the Serafina pump to the Court sneaker, each resolved to the point of silence.

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— Featured Pieces

The house,
four ways.

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An artisan shaping a shoe by hand
— The Atelier

Nine hundred lasts. Thirty-eight artisans. One cat.

Every Aurelle shoe begins as a maple-wood last and passes through two hundred and fourteen operations before it earns the gold stamp. Nothing is hurried by heat; everything is checked by hand.

Inside the Atelier
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Maison founded
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Artisans in-house
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Operations per pair
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Lasts in the library
— The Journal

Letters from
the rue de Sévigné.

All stories →
“A shoe should be felt in the foot,
not heard in the room.”
Aurèle Besson · Founder, 1962
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